Thank God For Raja Ravi Varma

• Tittle :Rang Rasiya
• Cast : Randeep Hooda and Nandana Sen
• Direction : Ketan Mehta
• Genre : Drama
• Rating : ****
• Like : Music, cinematography and production design
• Unlike : Hardly any

He's known as the father of calendar art. Raja Ravi Varma, played with arresting arrogance by Randeep ooda in Ketan Mehta's exceptional biopic, brought the gods out of the temples and made them accessible to the masses.

And now Ketan Mehta, that artiste extraordinaire who paints his characters with the brightest colours of life, has brought the enigmatic ambivalent life and art of Varma out of the closet into the portals of palpable accessibility.

Among many other things, ‘Rang Rasiya’ is an illuminating exposition of a life that defies all demarcations and analysis. Varma was so many things to so many people. To thousands of Hindus, he's the guy who made worship of the gods accessible to all. To those close to him, he was a vain and selfish artiste who thought only about himself. To encapsulate such a scattered life in a two-hour film is a near-impossibility.

Mehta manages the miraculous. The film portrays the artiste as an icon and a rogue. An indolent genius who chances upon an ingenious formula to immortality:if Man can't go to God, bring God to Man.

‘Rang Rasiya’ is an extremely articulate film that never gets weighed down by its inherent erudition.The thought processes that define the age-old debate between art and freedom of expression are given shape in fleeting scenes of marauders breaking down the doors at art gatherings. Scarily, the desecration of art, and the sub-culture of moral policing are shown to be as rampant in the 19th century when Varma took the gods out of the elitist temples, as they are now.Mehta never over-emphasises the point of freedom of expression.

Ironically, his lucid film often shows the artist misusing that freedom for his own selfish benefits.There are images in the film of destruction and creation, sometimes in the same range of vision. And if we have Ketan Mehta to thank for bringing Raja Ravi Varma alive, we have his cinematographer Anil Mehta, his art director Nitin Chandrakant Desai and his music composer Sandesh Shandilya to thank for representing the director's vision in images Acolours and sounds that are at once scintillating and subtle. At the centre of this masterly portrait of an artist as a self-seeking pioneer is a passionate love story. Raja Ravi Varma's adoration and eventual abnegation and destruction of his muse Sugandha (Nandana Sen) is put forward in images visceral yet vivacious.

The relationship is as steeped in the tragic ethos as the one between Devdas and Chandramukhi. There are extremely bold sequences between the artist and the muse, including a shot of Sugandha baring her breast for Varma's brush strokes. Though the entire film wears a look of defiant provocativeness, none of the film's erotic moments are gratuitous. The director relies mostly on an understated approach to create a bygone era.

The sets are minimalist and so are the costumes. No one is overdressed, not even the British characters. Though he falters at places, standing tall at the centre of Mehra's magnificent treatise of the artist and the morality of the times is Randeep Hooda. He lives and breathes life into Raja Ravi Varma's character. Luckily,Randeep has some outstanding costars who prop up his performance without patronising the protagonist's passion. Nandana Sen as Raja Ravi Varma's muse peels off all the coyness to portray a Fallen Woman who is deified through the artist's art. Gaurav Dwivedi as the narrator and Ravi Raja Varma's overshadowed sibling, Jim Boeven as Varma's German ally and friend, and the lovely Freyna Wazheir as a Parsi admirer, stand out in the supporting cast.

A masterpiece by any reckoning, ‘Rang Rasiya’ has a dazzling display of colour, desire, erotica, drama and emotions. This is Mehta's most intricately woven and enchantingly textured drama since ‘Mirch Masala’.Among the many startling ideas that emerge from Mehta's majestic exploration of religion, art, sex and the male ego is the one suggesting that Dada Saheb Phalke's dream of making a film was funded by Raja Ravi Varma.

Thank god and Varma, then, for the birth of Indian cinema. And thank God and cinema for Ketan Mehta, who lives to tell the tale. If you love art and cinema, and cinema as art, then don't miss this one.