Live
- Arun Pandey 3.0 set to revolutionise lottery industry with Great Goa Games (GGG)
- How Organisations Can Support Mobile Workforces with Diabetes - From Prevention to Management
- Google Rolls Out Real-Time Spam Detection Feature for Pixel Users
- Marriott international and Samhi hotels announce strategic expansion, sign agreement to open three more properties in india
- Telangana Group-4 Results Declared: 8,084 Candidates Selected for 8,180 Posts
- 2024 Is Shaping Up to Be the Smallest Black Friday Ever: GoDaddy Study
- LG LAUNCHES NEW XBOOM SERIES, WITH POWERFUL SOUND WITH PORTABILITY AND STYLE
- KLH Bachupally's AI and ML Expo Hosts a Fusion of Student Innovation and Industry Expertise
- Children Should Enjoy Their Childhood and Build a Bright Future – District Judge D. Rajesh Babu
- Protest at Nagarkurnool District Collectorate Against Attack on Officials
Just In
Hyderabad: Gollabhamma weavers hanging by a thread as investment soars
- The Gollabhama sarees from the Siddipet region of Telangana State are known for their unique inlay weaving technique and motif called ‘Gollabhama’ or milkmaid
- The figurative design is first drawn on a graph and then woven in a pattern generally using 80-100 threads
- This predicament has regrettably caused a discernible decline in both weavers’ enthusiasm and the overall sales trajectory
Hyderabad: The art of crafting Gollabhamma sarees, while inherently exquisite, has encountered a significant setback as a result of the formidable financial investments required. This predicament has regrettably caused a discernible decline in both weavers’ enthusiasm and the overall sales trajectory.
The Gollabhama sarees from the Siddipet region of Telangana State are known for their unique inlay weaving technique and motif called ‘Gollabhama’ or milkmaid. Typically, Gollabhama, Kolatam and Bathukamma motifs are used in textile weaving, on cotton, silk and si-co (a silk and cotton blend).
The figurative design is first drawn on a graph and then woven in a pattern generally using 80-100 threads. The Gollabhama saree has been granted geographical indication (GI 2012) status for its distinctive weave style.
Speaking to The Hans India, P. Mallesham, Durga Bhavani ChenethaSahakara Sangam, says, “The art of crafting these illustrious sarees demands substantial capital infusion for production, setting it apart from the typical handlooms prevalent in Telangana. Consequently, a prevailing lack of fervour among weavers ensues, necessitating significant financial backing.
Adding to their predicament, the meagre remuneration garnered from each saree’s intricate making and designing compels them to gravitate towards alternative vocational avenues. Regrettably, this confluence of factors has led to a noticeable wane in weavers’ enthusiasm for the intricate weaving of Gollabhama sarees.”
In the Siddipet saree creations, there are three themes that recur in different designs namely ‘Kolatam’ (community circular dancing with sticks),‘Bathukamma’ (also a form of circular dancing while rhythmically clapping hands) and ‘Gollabhama’ (scenes of milkmaids, carrying pots of milk, milking cows, churning butter of herding cows).
The fabric is meticulously woven with an emphasis on robustness, longevity, and substantial texture. Initially tailored to cater to the needs of the Golla community, these sarees later garnered acclaim among connoisseurs of fine cotton craftsmanship. This distinctive Siddipet weave has also gained recognition under the name of the tie and dye technique.
Siddipet’s Golabhama sarees epitomise purity through their exclusive use of high-quality cotton, often employing a solitary hue within the motif to accentuate the intricacies of the design. These sarees predominantly showcase a palette of organic shades, occasionally augmented by additional colors to create harmonious and complementary blends.
One exceptional fact about this design is that the image cannot be printed or embroidered, but only woven with utmost care. Gollabhama motifs are woven in a straight line across the width of the saree. No zari is used.
Mudigonda Srinivas, Siddipet Handloom Weaver Cooperative Production and Sales Society Limited says, “The inherent challenge lies not solely in the production process but also in the commendable yet moderately elevated pricing of the saree, ranging between Rs.1800 to 2000.
To remain relevant amidst the evolving times, there exists a pressing need to embrace novel designs and innovative techniques, thereby ushering in a refreshing spectrum of offerings. Regrettably, a significant proportion of contemporary weavers struggle to intricately imprint the Gollabhama motif onto the fabric, a formidable feat indeed.”
“The art of crafting these illustrious sarees demands substantial capital infusion for production, setting it apart from the typical handlooms prevalent in Telangana. Consequently, a prevailing lack of fervour among weavers ensues, necessitating significant financial backing. Adding to their predicament, the meagre remuneration garnered from each saree’s intricate making and designing compels them to gravitate towards alternative vocational avenues. Regrettably, this confluence of factors has led to a noticeable wane in weavers’ enthusiasm for the intricate weaving of Gollabhama sarees.”
- P. Mallesham, Durga Bhavani,
“The inherent challenge lies not solely in the production process but also in the commendable yet moderately elevated pricing of the saree, ranging between Rs.1800 to 2000. To remain relevant amidst the evolving times, there exists a pressing need to embrace novel designs and innovative techniques, thereby ushering in a refreshing spectrum of offerings. Regrettably, a significant proportion of contemporary weavers struggle to intricately imprint the Gollabhama motif onto the fabric, a formidable feat indeed.”
- Mudigonda Srinivas, Siddipet Handloom
Weaver Cooperative Production and Sales Society Limited
© 2024 Hyderabad Media House Limited/The Hans India. All rights reserved. Powered by hocalwire.com