‘Bramayugam’review: Offers a unique cinematic experience

Mammootty has once again graced the silver screen, this time in the much-awaited "Bramayugam," directed by Rahul Sadasivan. The film, set in the 17th Century Malabar, brings forth a tale shrouded in mystery, supernatural elements, and an eerie ambiance. As Mammootty steps into the shoes of the enigmatic KudumonPotti, the film takes audiences on a haunting journey through a dilapidated mansion, exploring themes beyond the conventional horror genre.

Story:

The narrative unfolds with Thevan (played by Arjun Ashokan), a court singer, and his friend Koran (portrayed by Manikandan R. Archery) attempting to escape the clutches of the slave trade. The duo's journey takes a chilling turn when Koran meets his demise at the hands of a female spirit, Yakshi (Amalda Liz). Seeking refuge, Thevan finds himself within the mysterious mansion owned by KudumonPotti (Mammootty). As the story progresses, Thevan senses an underlying darkness within the mansion and its owner. The plot delves into the secrets concealed within the mansion and the enigma surrounding KudumonPotti.

Analysis:

"Bramayugam" is a departure from conventional horror films, opting for a slow-paced narrative that meticulously builds an unsettling atmosphere. Rahul Sadasivan's approach to storytelling is methodical, emphasizing detailed character establishment and mystery-building over jump scares and cliches. The film seamlessly intertwines supernatural elements with social issues, showcasing Sadasivan's conviction in delivering a thought-provoking cinematic experience.

Performances:

Mammootty, in the role of KudumonPotti, delivers an award-worthy performance. His portrayal is nuanced, and close-up shots capture the intensity of his character. Arjun Ashokan and Siddharth Bharatan shine in their respective roles, providing the necessary depth to the narrative. Ashokan's expressions and body language effectively convey the emotional turmoil of his character. The cast's chemistry contributes to the film's impact, elevating it beyond a typical horror venture.

Technicalities:

Technically, "Bramayugam" stands out, showcasing the prowess of Malayalam cinema. The production design team deserves accolades for creating a visually stunning environment, with vegetation surrounding the mansion adding to the intrigue. Christo Xavier's haunting background score, Shehnad Jalal's cinematography, and Jayadev's sound design collectively enhance the film's atmospheric quality. The black-and-white format contributes to the eerie ambiance, emphasizing mood over traditional horror aesthetics.

The film's editing aligns seamlessly with the director's vision, allowing the narrative to unfold at its own pace. Rahul Sadasivan effectively utilizes the skills of the technical team, extracting stellar performances from Mammootty and the supporting cast. The production values are commendable, contributing to the overall cinematic experience.

Conclusion:

"Bramayugam" is a commendable attempt to redefine horror cinema, incorporating elements of mystery and social commentary. Mammootty's towering presence, coupled with impressive technical values, elevates the film beyond its genre. The movie's slow pace may not resonate with all audiences, but those appreciative of unique storytelling and atmospheric filmmaking will find "Bramayugam" to be a captivating cinematic experience.

While the climax may feel somewhat routine for a film of this nature, the director's courage in addressing social issues within the horror framework deserves recognition. In a landscape saturated with formulaic horror films, "Bramayugam" stands as a testament to the power of experimentation in storytelling.

In essence, "Bramayugam" may not cater to everyone's tastes, but its ambition, performances, and technical brilliance make it a noteworthy addition to Malayalam cinema's diverse offerings. Mammootty's commitment to pushing cinematic boundaries is evident, and Rahul Sadasivan's directorial vision adds a unique chapter to the horror genre.

Movie Review by: SUHAS SISTU